Nick Relph (b. 1979; London, United Kingdom) lives in New York City. Solo exhibitions include Gordon Robichaux, New York (2022); Herald St, London (2020, 2016, 2010); Le Consortium, Dijon, France (2019); Bonner Kunstverein, Germany (2017); Gavin Brown’s Enterprise, New York (2016, 2013, 2010); Chisenhale, London, (2013); Overduin and Kite, Los Angeles (2010); Standard, Oslo (2015, 2011); and Frieze Projects, Frieze Art Fair, London (2010).

Group exhibitions include Post-Capital: Art and the Economics of the Digital Age, Mudam Luxembourg, Musée d’Art Moderne Grand-Duc Jean, Luxembourg; Ups & Downs, STANDARD (Oslo), Norway; Fiction and Fabrication: Photography of Architecture after the Digital Turn, Museum of Art, Architecture and Technology, Lisbon, Portugal; Working/Not Working, Canada, New York; Takashi Murakami’s Superflat Collection—From Shōhaku and Rosanjin to Anselm Kiefer, Yokohama Museum of Art, Japan; Greater New York, MoMA PS1, Queens, New York; Matt Connors. Nick Relph, Herald St, London; Tate St Ives, UK; Lat. 41° 7’ N., Long. 72° 19’ W (curated by Bob Nickas), Martos Gallery, New York (2013); Why Is Everything the Same? Works from the Collection of Anne Collier and Matthew Higgs, Shoot the Lobster, New York; Petals Surround Your Yellow Heart, Institute of Contemporary Art, Philadelphia; How to Look at Everything, Common Guild, Glasgow, UK; and Modify as Needed, Museum of Contemporary Art, Miami, Florida. Relph was a participating artist in ILLUMInations at the 54th Venice Biennale.

In 2021, Pre-Echo Press published Relph’s artist book, Eclipse Body & Soul Syntax, which was the subject of a feature in The New York Times. Public collections include Le Consortium, Dijon, France; the Whitney Museum of American Art, New York; the Museum of Modern Art, New York; the National Museum of Contemporary Art, Oslo; Centre Pompidou, Paris; Tate Britain, London; Sammlung Goetz, Munich; and Arts Council Collection, UK.