Siobhan Liddell (b. 1965, Worksop, UK) lives and works in New York. She is a graduate of Central Saint Martins, University of the Arts, London.

Liddell has presented solo exhibitions at Gordon Robichaux, New York (2022 and 2019); Hollybush Gardens, London (2023); CRG Gallery, New York (2010, 2006, 2002, 1999); Thread Waxing Space, New York (1993); Trial Balloon, New York (1992); the Hammer Museum, Los Angeles (2000); Galerie Eric Dupont, Paris (2010, 2005, 2003, 1995); the Henry Moore Institute, Leeds, UK (2001); Bob van Orsouw, Zurich (2001, 1998); and CCA Kitakyushu, Fukuoka, Japan (1997).

Her work has been included in notable group exhibitions including Witness: Against Our Vanishing (curated by Nan Goldin), Artists Space, New York; and the 1995 Whitney Biennial, Whitney Museum of American Art, New York. Most recently, she has exhibited as part of group exhibitions including Get Lifted! (curated by Hilton Als), Karma, New York; Fragments, a two-person presentation with Linda Matalon (curated by Ksenia M. Soboleva), Candice Madey, New York; New Museum, New York; White Columns, New York; Sikkema Jenkins & Co., New York; Paula Cooper Gallery, New York; Nature Cult (curated by Donald Mofett), McNay Art Museum, San Antonio, Texas; Yokohama Triennale, Japan; Musée d’Art Moderne de la Ville de Paris; the Contemporary Arts Museum, Houston, Texas; Parker Gallery, Los Angeles; and Seoul Museum of Art, South Korea.

Liddell’s work is held in the collections of the Hammer Museum, Los Angeles; Whitney Museum of American Art, New York; CCS Hessel Museum of Art, Annandale-on-Hudson, New York; RISD Museum, Providence, Rhode Island; and Dallas Museum of Art, Texas. Reviews of her work have appeared in The New York Times, The New Yorker, Frieze, The Brooklyn Rail, The Los Angeles Times, The Village Voice, Art on Paper, and Flash Art.